The Vorrh Page 5
The day that Luluwa showed him how his body could extend into her and produce nectar was overwhelming. She had cleared away the lesson of flies and he had posed a question about the thing she had called “pleasure.” He knew it was like the dry white “sugar” or the thick yellow “honey,” not outside or on the tongue, but all over. She said that his kind had many ways to find it and that they were all connected to knowledge. She said pleasure was made of cream, like her motor.
Some weeks before, Abel had shown him a small part from one of their bodies—the curved hollow of a Bakelite shell. Its interior was notched and ingrained with tiny lines, small dents, and channels. Bumps covered its surface, very different from the smooth perfection of its gleaming other side.
“We are hollow, only fluid inside,” Abel had said, “not like you and the other animals, packed full of matter and organs. We work in another way. All of our forces are held in a thick cream contained within us; all that we are is alive in that cream, and it feeds and talks to the inside of our shell through these complex ducts and circuits.” He pointed to the inside of the fragment in his hands. “We know nothing of its workings; it is forbidden that we question and examine its process. We have a greater knowledge of you than we do of ourselves.”
Ishmael wanted to know more about pleasure and pressed Luluwa for a description. She said there were no words to explain it. “Your kindred have a connection between their breeding and their sweetness, a swelling of both that works like the magnets in Lesson Twenty-Eight. Their conception also follows the same construct.”
He wanted more.
“Yes,” she said. “It is time to show you. You are like the animals that we have seen—you must place your tube inside the pouch of the female to breed. The seeds then pass to fertilise the egg. This you know. But what you will learn is that its action is layered with pleasure.”
Ishmael understood her words but not their consequence.
“When you release your seed,” she said, “there is a great song of warmth.”
He stared and spun inwardly. She coiled down closer to him. Her hard, gleaming hand stroked his thigh. The firmness of her shell drew an erection. “I will show you that I have been fashioned like your kind to explain these marvels to you. These lessons of humans have been clearly taught to me alone, for you.”
She showed him a latch in the crease between her legs, normally hidden by its underside position. She asked him to move it and, with chattering fingers, he felt the mechanism of this secret thing. After a while she joined in, her nimble fingers sliding its notch down the entire length of her division, leaving the long cleft open.
“Touch inside,” she said.
It was warm and soft. He looked closer, some of his hand now within her, fingers moving the folded layers.
“Kelp,” he said. “It’s made of kelp.” Kelp had been in Lesson 17. Jars from the sea.
If she could have smiled, she would have. Instead, she stroked his head and said, “No, but very like it. It’s a material you have not yet seen.” She pushed the notched bulb in a little further and moisture flooded his touch.
“You leak like me,” he said. “Like me and the animals. You never did before.”
“This is not the same. This is not the passing of waste fluid, but a special oil to let you move inside me without friction or hurt.”
She guided him towards her, positioning her prone body, and with the same attentive concentration that she showed when peeling the animals apart, she drew him into her. An inner clasping made Ishmael flinch, but she rectified it with the pressure of her left hand in the small of his back and a series of whistling clicks that he knew were declarations of satisfaction, the same sounds she made when he understood her other lessons. A growing wave of succulent achievement overcame him, and he began to push deeper inside her. His hands gripped the hard perfection of her curved hips, making the contrast of her hot interior a wonderful benefaction.
This was different from all the other things she had shown him. The understanding was in his whole body, churning with sugars that gave him a direct power he had never dreamt of before. He tasted might and dominance and the impossible joy of retreat as she fed his anxious childhood into the past. They rocked together while he cried, sobbing pleasure, locked in her arms, sensation boomeranging sensation with continual vigour. Suddenly she began to shake, every joint shuddering, her voice impaling itself on an imprecision of sound. This had never happened before, and she had no understanding of its purpose or meaning. Only Ishmael knew that one of her inner ventricles had been flushed directly to the shunt mechanism of her sleep and recharging mode, had switched into total response as he reverberated against her, causing her to flick in and out of sleep in a fast stutter of consciousness and oblivion, producing something like pleasure constructed of surprise in her old, servile body of juice and stringency. As long as the rule regarding her Kin was in place, she would never be able to comprehend her reaction. The mystery would be for Ishmael alone to understand.
Ghertrude Eloise Tulp was an only child. She was “only” in a great manner of ways: in the way that a single child is given all; in the way that it is received and understood as a sign of natural superiority, growing into unquestionable rightness; in her luscious delight in solitude and satisfaction without a trace of loneliness.
She was the pride, construct, and admiration of her father, the third-generation owner of the city’s second-largest timber merchant, who had long since left the basic details of his inherited empire to his servants and turned his razor-keen appetites to politics and the church. She was modest in her skin, charming in her manner, with a tall, willowy vagueness, which mostly concealed the centre of her hunger. Her twenty-two years had been filled with kindness and education, but none of it had thawed her hurt at being born unknowing. She wanted to find out and possess all. Quickly.
She had always hated being excluded. Not many dared to attempt it socially—her power was too far-reaching and influential to be toyed with. But most had tried to lock her out in more literal ways, with brass and iron puzzles that fooled their owners into trusting their blind servitude. From the age of seven, she had begun to understand their mechanics and principles and, with that realisation, what delicious power and satisfaction lay on the other side of their manipulation. She had gained access to all hours of the day and night. She had tiptoed in forbidden places. She had seen a royalty of secrets: her parents becoming the beast with two backs; treasures being hidden; the dead, rotting in conversation in the catacombs beneath her home. She had seen intrigue, incest, deceit, lies, and pleasures, all closed to the assumption of sight.
Now she stood in the shadow of 4 Kühler Brunnen while the buffoon Mutter disappeared home. She waited a tantalising time, watching the street set into stillness, enjoying the restraint before she touched the door to see if her curiosity really had a menu. She walked quickly across the empty space and pushed the cold gate. It moved, heavy under her calfskin glove.
Her joy spun and silently shrieked: This was forbidden and ecstatic. The house had been a great secret for all of her life, the only thing denied to a child who was given everything. No one in her family would talk about it.
“Ah, ja, the Kühler Brunnen house,” they would say, and then change the subject. She had stared at it, glared at it, and watched it in passing all the days of her life, from her pram to her womanhood. Something in it had tapped at her shell, stirring the wakening within. And now she had breached its outer wall, closing the gate behind her in protection from all vulgar intrusion.
She lingered over the stables and the basic construction of the courtyard, drawing out her anticipation before approaching the entrance to the building. To her delight and surprise, the lock was simple, an old and well-known type, the kind she had been surreptitiously picking for years in her family’s homes. The door of this house would be no match for her skills, and she thrilled at the thought of devouring the secrets it had concealed for so long.
She returned
through the courtyard. Once back at the gate, she looked again at the lock and laughed, almost too loudly. This was the ridiculous contraption that had held her at bay for so long? She could have opened it years before. It had only taken Mutter’s pantomime of stupidity to give her permission and scrawl the ticket to her fulfilment.
She shut and padlocked the gate and walked along the darkening street, humming her way home and savouring her strength and the sweet weakness of everything around her. There was no rush now; she already had the conclusion to the enigma firmly in her grasp. She would relish all the possibilities rather than leaping into the outcome; it would pay back all those years of frustrating exclusion. She now owned every imagined room.
Six days later, when Mutter had again left, she entered the house.
CHAPTER THREE
The Frenchman was the only modern being to have explored the Vorrh, to enter its interior and scribble down some of its detail. The only one—and all his perilous journey had been fiction. What better way was there to trespass on the sacred and the forbidden?
He had, of course, read or held the weight of every volume related to its existence. He had absorbed all the obscure and fantastic accounts of travellers who had returned by the skin of their teeth, having been hunted by the anthropophagi, the Artabatitai, the dog-headed Hemikunes, and all manner of fabulous denizens, representative of every forest in the world, which had been sucked into the mythical whirlpool of the Vorrh. He knew of the saviour of the forest, the fabled Black Man of Many Faces, and saw in it another reworking of the Green Man of Europe; he owned copies and private translations of Euthymenes the Massilian and late medieval renditions of Scylax of Caryanda; he had marvelled at the tall tales of Sir John Mandeville, stories of the horrors and wonders to be found in the uncharted depth of unknown lands. He had ploughed through the works of Abu Abdullah Muhammad Ibn Battuta, even tried to find the famous mummies that had been bought by René Caillié and shipped, on a tortuous route through Timbuktu, back to France, where over the latter years of forgetfulness they had become “misplaced.” He had read all the fact and all the fiction, and in later days of need and intrigue, he had created his own version, cut out of the jungles of all the other words, their slippery shadows of meaning translated into a rich weft of description. He had re-seen each moment and the backdrop of the eternal, savage forest. His writing had given it life, with all the detail of its population.
—
The Frenchman, Charlotte, and a reluctant chauffeur had driven into Essenwald, through the outskirts of mud and rushes to its fired foundations of imported German dogma. Their huge car heaved and jolted on the deeply rutted road. It was the first-ever motor caravan, a grandiose collision of baroque parlour and expensive, petrol-driven truck, which he had invented specifically for long-distance travel. During the day, the three travellers would be separated, each sweating in a different compartment of the vehicle, the varnished dark-brown interiors sweltering in the buckling heat. The chauffeur was forced to wear his uniform at all times, even in the blistering temperatures. Only at night would his nakedness be tolerated and his name allowed.
Charlotte was paid to stay close, to be the lifelong companion to her neighbour in the eighth arrondissement. She did this with understanding and gratitude, and because she was drawn to such stray dogs—even the noble ones.
The Frenchman’s mother paid for Charlotte’s attentions, paid for everything. She knew of her son’s weakness and something of his genius. She doted on him, and her love would have devoured him completely if she had not had a greater suitor. That suitor was heroin, and it determinedly won all conflicts of emotion and care. So Charlotte was employed to be her stand-in, the visible female pillar to which the Frenchman would be publicly leashed. This way, he could strain against something external and always have a place to return to, scratch against, and abuse.
Charlotte had a face that should have been loved. Her overpowering eyes said everything that was sensitive and feeling, on a level that hurt. Indeed, hurt was what coloured her gaze, not for herself, but for those around her, who pained and leeched their existence into permanent sadness. She was strong because she was quiet. Not silent, but still. Hers was a beauty of listening and a strength of giving; there was knowing, more than understanding, in the smoulder of her gaze. She saw and felt it all; she gave more love than she received, more than she was ever paid for.
They had been driving for an hour when the Frenchman ordered the car to stop. He smelt blood. They’d been passing through the outskirts of the city, swerving and bumping towards its stony European heart. A shrine tower, one of the many tall, red buildings with wound-like windows, had given off a pungent aroma, its dried-mud surface still showing the prints of the hands that had made it. Goats had been slaughtered there each day for centuries, and one side of the tower was saturated black with blood and milk. He stepped out of the car into the blinding sunlight, the dust still spinning in circles around the stationary wheels.
In this part of the fabled city, the streets were immaculate in their filth. Taking a pair of bone spectacles from their sealskin case, he arranged them over his eyes; the slits narrowed his vision and gated the sun. They had come from Greenland, purchased from a recent explorer of that frozen, barren place.
He was the most ridiculous of travellers, brilliantly prepared for all events, so long as they never happened. His handmade shoes were instantly discoloured by the red earth, as was his cream suit. He stood and glared at the tower, waiting to be noticed by the throng of local passersby. They had seen him, the little man stamping in the ground of arrival, but they were much more interested in his vast, grunting cart, enclosed on all sides. They slowed their pace and drifted towards its metal body, some daring to touch it on its blind side. Soon, the Frenchman would meet the young man who was to become the most significant person in his overcast life, but for that moment the crowd was pressed against the car’s windows, trying to glimpse the interior. The woman inside gripped her small clutch bag. Hiding in the perfumed darkness was her silver derringer, a palm-size pistol of American origin; it sat like a bright comma in the umbered pouch. It was made to fit snugly in the hand when discharged. It was blunt and inaccurate but delivered a lethal slap at short range. The Frenchman had never had any feelings of masculine protection for the fairer sex, even the few he had tolerated and liked. He and his paid companion had been locked in a crude democracy forged from selfishness, desire, and humiliation.
Turning his back on the angry chauffeur and the twitching woman, he walked towards the tower in the open street.
A young man had stepped out of the sun, the halo of his head blasted by brightness. “Which is your way, Father? Are you lost?” he asked. “Where is your way?” he asked again, in a French that reflected the rippling mirage of sand that surrounded them.
He stared at the young man, speechless as his face came into focus. There was a resonance in his tone that had stirred a place yet unravelled, but nonetheless known, in his scarred heart. In a voice that was eerily subdued, he told the young black man that he was here to see the Vorrh, to gaze on the fabled forest.
The man’s eager smile broadened, and he looked out over the dust and the Frenchman’s shoulder. He pointed a tattooed finger towards the horizon. The Frenchman turned quickly to follow his direction, to look through the crumbling gap between the rows of buildings, where a dark curtain closed off the northernmost aspect of the city with shadow and solid contrast. The redness of earth, animals, plants, and buildings ended at its massive edge.
Its suddenness instantly reminded him of a stage set and returned him to the opera he had seen as a child. It had been vivid and overwhelming, its story indistinct, its music brash and bellowing. But its set had transfixed him, a forest of painted darkness stretched across the stage, blindingly artificial, its leaves, roots, and hanging tendrils filling his hungry imagination with a longing that had gnawed at all other realities with an unrelenting insistence; the same scene would pass through the last
millisecond of his life, as he lay, seeded in oxygen, choking for absorption in the tiled indifference of a hotel bathroom.
That was only the second time he had been to the theatre, though his mother had often told him of it. She would come to say good night while he was in the bath, his nanny stopping, mid-sponge, to stand back in admiration while the apparition wafted in. She was always dazzling, in her society gowns and gleaming jewellery. She would tell him of the theatres and balls she was going to; of ballet and the opera; their stories of princesses and kings, demons, maidens, magic, and spells. Sometimes she would touch his back or arm with her silken gloves, sending a shiver through his damp, excited body. But she never stayed, and the nanny was always left to dry his cooling hope and dress it for sleep. His mother’s perfume stayed in his heart for hours afterwards.
At last within sight of the Vorrh, he understood why he had travelled so far. Yet as he took an automatic step towards it and everything else that had unbalanced his life, his chauffeur had begun to pound on the horn of the car—his forgotten companions had become completely engulfed by a solid wall of in-lookers. The discordant screech, his memories, and his stumbling curiosity knotted against movement in time, cutting his next step away from beneath him, causing him to fall forward in stupid surprise towards the red earth. The young man swooped and caught his awkwardness in long black arms, before righting them both.
The Frenchman struggled against the embrace. He liked to be touched only when and where he commanded. He was about to shriek at the outrage, when something of its firm gentleness crept through his disgust. He looked into the face of the tall shadow who held him. His rescuer was now totally silhouetted against the blinding sun, his features and eyes hidden. Yet his expression could be perceived; his eyes radiated grace. Grace was holding him up, tottering on the sanguine earth. The young man said nothing, but extended a long, thin arm, shivering with bangles, towards the shade of a low building. The Frenchman leant into the grip of the other and allowed himself to be guided forward. Without speaking, they walked into the shade of a pungent bar, where they sat and drank mint tea and tried to talk. The young man started by introducing himself, explaining that, despite his rags, he was of noble blood.